The terms are broadly descriptive rather than critically rigorous. Matthew Strecher defines magic realism as “magical realism in literature pdf happens when a highly detailed, realistic setting is invaded by something too strange to believe”. Many writers are categorized as “magical realists”, which confuses the term and its wide definition.
Roh identified magic realism’s accurate detail, smooth photographic clarity, and portrayal of the ‘magical’ nature of the rational world. It reflects the uncanniness of people and our modern technological environment. However, in contrast with its use in literature, magic realist art does not often include overtly fantastic or magical content, but rather looks at the mundane through a hyper-realistic and often mysterious lens. Bontempelli, wrote influential magic realist short stories in the 1930s and 40s that focused on the mystery and reality of how we live. Maggie Ann Bowers writes that marvelous realist literature and art expresses “the seemingly opposed perspectives of a pragmatic, practical and tangible approach to reality and an acceptance of magic and superstition” within an environment of differing cultures.
1955 essay “Magical Realism in Spanish American Fiction” by critic Angel Flores to refer to writing that combines aspects of magic realism and marvelous realism. Carpentier or Pietri for bringing Roh’s magic realism to Latin America. Borges is often seen as a predecessor of magical realists, with only Flores considering him a true magical realist. The extent to which the characteristics below apply to a given magic realist text varies. Every text is different and employs a smattering of the qualities listed here. However, they accurately portray what one might expect from a magic realist text.
Magical realism portrays fantastical events in an otherwise realistic tone. It brings fables, folk tales, and myths into contemporary social relevance. Fantasy traits given to characters, such as levitation, telepathy, and telekinesis, help to encompass modern political realities that can be phantasmagorical. The existence of fantasy elements in the real world provides the basis for magical realism. In the binary world of magical realism, the supernatural realm blends with the natural, familiar world.
Authorial reticence is the “deliberate withholding of information and explanations about the disconcerting fictitious world”. Explaining the supernatural world or presenting it as extraordinary would immediately reduce its legitimacy relative to the natural world. The reader would consequently disregard the supernatural as false testimony. Aztec temples and associative Nahuatl poetry. Marvelous: not meaning beautiful and pleasant, but extraordinary, strange, and excellent. Magical realism plot lines characteristically employ hybrid multiple planes of reality that take place in “inharmonious arenas of such opposites as urban and rural, and Western and indigenous”.